Year: 2010

309 RESULTS

Week of August 29, 2010

A wunderkammer of discoveries, compiled by Comment and illuminated for our readers' edification and entertainment. We do not necessarily endorse the external content below.   Comment friend and author Sam Martin will be reading from and signing copies of his new...

The Stories of Scientists

“Suppose,” the Gospel says, “one of you wants to build a tower. Will he not first sit down and estimate the cost to see if he has enough money to complete it? For if he lays the foundation and is not able to finish it, everyone who sees it will ridicule him, saying, ‘This fellow began to build and was not able to finish.'” Darn good advice.

“Ut pictura poesis”?

There was a prolonged period recently when the words “traditional” and “craftsy” were the kiss of death for an artist’s career. One result is that in the past several decades, artists of every discipline have been trained with the primary expectation that they shall produce new and sometimes shocking objects; choreograph daring dance movements; compose provocative musical pieces or poems—and in many cases, skill has been moved to the margins or completely off-stage. But in recent decades the centrality of novelty and the demand for an art centred primarily on ideas and issues has lessened a bit—a pendulum swing away from experimentalism.