Q&a Archives

Mar 1, 2014 Q&a Faithful Compromise

In Good Faith: Compromise in the Face of a Revolution

The personal and public nature of compromise

Dec 6, 2013 Q&a

An Artful Conversation with Marilyn Chandler McEntyre

Conversing with care: what we can learn from Jane Austen’s England about communicating.

Dec 1, 2013 Q&a Patronage: Why We All Need to Invest in Culture

The End of Patronage?

An art historian with an insatiable curiosity discusses what it meant to be a patron of the arts—and what it means today.

Nov 22, 2013 Q&a

Canada, the North American “Alternative”: A Conversation with Mark Noll

What might the renewal of social architecture look like in higher education—in Canada and the United States?

Sep 20, 2013 Q&a

An Anabaptist-Reformed Dialogue: A Conversation with Richard Mouw

As we think about a revitalization of a Neo-, maybe even a Neo-Neo-Calvinism, in the twenty-first century, we’re not just trying to spread Calvinism, but we’re also trying to learn from other traditions.

Sep 13, 2013 Q&a

Learning from Kuyper, Following Jesus: A Conversation with Richard Mouw

Richard Mouw remembers and reflects on when he first realized that he needed to “get involved,” and what has happened since.

Sep 1, 2013 Q&a We Believe in Institutions

The Backdrop of Reality

You need to look hard to see just how powerful institutions are, but when you do, you understand that we’re all shaped by them.
James Davison Hunter in conversation with James K.A. Smith.

Mar 1, 2013 Q&a Persuasion

Earning Your Voice

“I was a participant in a shared human enterprise, rather than a combatant against the enterprise. That was crucial.”

Jun 1, 2012 Q&a

Clarity and Connection

SIX QUESTIONS . . . I hope people come away from my work thinking, “Okay, I’ve got that clearer now and I’m enthusiastic about responding creatively and courageously to that challenge.”

Jun 21, 2011 Q&a

Justice, Compassion, and Freedom: An Interview with Maxim Institute’s Greg Fleming

At least in New Zealand, the next generation is coming through—changing the narrative enough that their culture will be very different in twenty years.

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